In the 21st century, death is everywhere: new incurable diseases, rising suicide rates, the consequences of climate change. How do we relate to death? Dances of Death is a physically intense performance with seven dancers and one singer. Together they propose the physical potential of dancing as the path to redemption. How would a dance of death be danced today?

Mette Ingvartsen creates a universe in which people, technology and organic matter coexist to create an abstract set of movements. Inspired by how bodies are sensorially affected by the digital, the performance explores a poetics of plasticity, abstraction and imagination. Through light, shadow and reflection, the nine dancers open an enchanting landscape that you can enter as a viewer.

In the American Midwest in the 1880s, white people hid illegal alcohol in their boots when they traded with Native Americans – an effective strategy to neutralize rebellious Native Americans through drunkenness. ‘Bootlegging’ was born. Now we are presenting Bootlegged: an encounter between Boyzie Cekwana and Danya Hammoud: two bodies, two stories, and two histories.

Two female bodies entwine until they become only one. Or three? Or… none? Where does a body actually begin? A clear question resounds in this duet that both refers to the tropes of the genre but also transcends them. What does it mean nowadays to be two together?

Radouan Mriziga explores polyrhythm, a bass rhythm in African music. By looking for the social equivalent of this unusual harmony, this exercise for two dancers reminds us of the necessity and value of difference in the creative process.

Anne Teresa De Keersmaeker and pianist Alain Franco are joining forces again. Their 2008 production Zeitung – an exploration of the essential intersection of music and dance – forms the fascinating premise for a new creation, with Louis Nam Le Van Ho as a third choreographer at the wheel.