Burning Ice - Assembly (Burning Ice #7) – Thing 001384 (Nohe) concerns a conflict about a stained glass artwork entitled Nohe, between Kim Taylor Reece, a professional photographer, and Marylee Colucci.

Burning Ice - Following her splendid Animalia during Burning Ice #6, we are inviting the Brussels theatre-maker Isabelle Dumont once again, this time with her new production Hortus Minor. With words, music and a superb collection of 'rarities', she tells the story of our relationship with plants.

Burning Ice - Resilient food systems involve so much more than refraining from using genetic modification, chemical pesticides and artificial fertiliser. Come and discover some alternatives that already exist.

Burning Ice - Explore the world of the food lobbyists in the European quarter in Brussels and the pressure they exert in favour of genetically modified food and pesticides.

In Speculations Mette Ingvartsen uses fiction, speculation and description to develop ideas in front of an audience. The body on the stage is part of the performance, but the choreography is in the field of language and in the spectator’s imagination. Although the spectator is not actively involved in the performance his role is essential to its creation. Language and action are equally important in the creation of a virtual performance in the spectator’s mind.

Mette Ingvartsen has created a series of four performances in which the question of ‘non-human actions’ in a choreography plays a central role. In The Artificial Nature Project the stage is filled with all kinds of objects and materials, set into motion by the dancers who are part of a swirling mass; a mass of objects that seem to be alive but are not human.