Kris Verdonck makes in ISOS reference to the world and characters depicted in the apocalyptic science-fiction novels by James Graham Ballard. Ballard portrays in his magic realistic stories and autobiographical works, intelligent and visionary descriptions of a future world, which increasingly resembles our contemporary neoliberal society.

Once every three years students can enter the renewed PARTS Training Cycle. The first group started in 2013. They are closing their cycle with a creation of their own as well as new pieces, directed by experienced choreographers. In Programme 4 some students show their own creations.

Once every three years students can enter the renewed PARTS Training Cycle. The first group started in 2013. They are closing their cycle with a creation of their own as well as new pieces, directed by experienced choreographers. In Programme 2 Fabrice Mazliah researches how physical knowledge can be shared with an audience and Daniel Linehan creates a fascinating and attractive disorder.

Get to know the latest generation of theatre-makers and technicians. In June, the theatre students at the RITCS will be presenting their graduation productions as the final part of their courses in Directing and Stage Technique.

Felix Banholzer presents Kohlhaas, based on texts from Heinrich von Kleist.

Brussels has always been a city that embraced exiles.The Price of the Ticket continues this tradition. The Fashion designer and activist Rachida Aziz is now inviting a new generation of refugees on stage. Expect an evening of music, dance, poetry and video.

With donkey’s ears on his head, Lucas Vandervost takes Ludwig Wittgenstein’s Tractatus Logico-Philosophicus, an essential philosophical work on the relationship between world and language, and turns it to his own ends. Not as a lesson in philosophy, but in a unique monologue in which he reveals and analyses Wittgenstein.

Burrows and Fargion offer a chance to see their 2014 Venice Biennale piece Body Not Fit For Purpose. It is an attempt to reconcile personal politics with the difficulty of saying anything of consequence in a dance performance, all the while revealing the strange permeability of dance to any message that it meets.

Box with holes seeks to explore the relationship between touch and its visualisation. How do we see and experience inter- human interaction in a world where we contact each other more and more through technology?
Box with holes focuses on a displacement of the senses, which places the spectator into another mental state.

Choreographer Jonathan Burrows and composer Matteo Fargion present two of their playful, tightly composed duets. Eleanor And Flora Music is a new version of their iconic Both Sitting Duet. Subsequently, Burrows and Fargion perform Alvin Lucier's I Am Sitting In A Room. They interpret Lucier's generously open score to arrive at a performance that meditates on its own theft, even while slowly disappearing.