WORKING TITLE FESTIVAL — Do people treat plants with enough respect? What happens when plants break out of the background of our living rooms? Gosie Vervloessem calls on a number of horror movies in which plants frighten us. Sometimes they attack us head-on, but often the horror lies in ominously waving branches and rustling bushes. According to the artist the exploitative human-vegetal relation comes to a climax in the nature reserve, the plantation and the botanical garden. Places with a direct link to a colonial past.

Ivo Dimchev is one name that cannot be missed from the Performatik programme: the exuberant performer has never missed a single edition. He often depends on audience participation to create his performances, such as P-Project (shown during Performatik13) and FB Theater. This time he is returning with his brand-new selfie concert. Take out your phone… because no selfies means no concert!

Alexis Blake selected a series of female poses found in artworks from the Renaissance to early Modernism and created a choreography and performance that explores subjectivity and examines gender and representation through embodiment, repetition and sound. Two dancers and four musicians in the Horta Hall at BOZAR will abstract the poses, strip them of their history and context, and confront the viewer to address, contradict and question preconceived notions of a body. 

Fourfold (Autonomous Scenography) is a generator of scenographies, a machine that constantly produces different images. Image, sound, language and light do not aim to represent something, but to generate a reality in complete freedom. 

If we continue to consume more language more quickly and superficially, will we still be able to use language instinctively and emotionally? PRICE is appealing to movement and music to answer this question. Along with producer Cecile Believ, pianist Sebastian Hirsig, fashion label BARRAGÁN and photographer Mirjam Graf, he will captivate you with his body and voice. You stand next to him on stage, while the soundtrack of heavenly ambient will flow to dark tribal – and back again.

Drummer Will Guthrie and choreographer Mette Ingvartsen are performing together for the first time. You encircle the stage, on which a drum kit, a moving light installation and the bodies of the performers confront each other. 

body as oracle, a trance, a rhythmic interface, an atmosphere, a landscape with the texture of my current mental state. a dance informed by everything and everyone i have ever encountered, seen, heard, felt, been beside that has become part of me, as i try to identify my own voice. and then see if i can stand it. nothing ever really goes away.

We get up and we go back to sleep every day: the two extremes that determine the primal unity of our lives. In this performance, River Lin questions sleep as an artificial force. 

What are the thematic lines between art and care? The exhibition Through Art We Care presents the trajectories of ten IN/FINITY artists who spent three years working in residence at the palliative and supportive outpatients’ clinic TOPAZ.

Originally, Monumental was a film about monuments, statues and memorials in public spaces. Cottencin is now handing the performance on to a group of students from the ULB and La Cambre. How do you represent performance and time in the immovable space of collective memory?