If there is one dance artist that deserves a monument, it is certainly the German Valeska Gert (1892-1978). Her fearless, provocative performances make her one of the most important artists of her time. Along with Boglàrka Börcsök, Eszter Salamon translates this energy from the past to the present.

In In Many Hands, artist-in-residence Kate McIntosh explores tactility. She invites you to test and to touch, but also to listen and to smell. Along with other visitors, but without speaking, you will experiment with materials in a series of sensorial ‘situations’. In Many Hands is part laboratory, part expedition, part meditation: follow your nose and your curiosity!

Worktable is an exciting installation with various rooms that you explore one by one. At the start you are given instructions, equipment, safety goggles, and materials that you can use. And then you get to work: let your creativity run free! Kate McIntosh gives you a hammer, you do the rest.

Ivo Dimchev is presenting a live and danced version of his first studio album, Sculptures. His sense of musicality and exceptional voice have always been central to his performances, but over the last two years he has definitively chosen the path of music. His breath-taking voice brings the dark poetry of his texts to the fore and ensures a terrifying and deeply moving experience.

Two theatre makers. One from Bagdad, the other from Amsterdam. Together, they perform nine miniatures which together form on theatre evening. It is the search of two wandering souls for common ground, rooted in the Great Themes. De verse tijd is an encounter between two men who are sometimes diametrically opposed, but who can also be fraternally supportive.

As both a concert and a performance, SAFE starts from Todd Haynes’ film Safe (1995), to sketch an image of contemporary hypersensitivity: join an immersive journey that will stimulate all your senses. What starts as a concert gradually evolves into a sophisticated live audio play.

Annie Dorsen takes you on a sublime journey through the digital infinity in the dark of an inflatable planetarium. A lone performer reads texts culled from comments on the internet. Gradually, fragments of narrative emerge from the online chatter.

Fase is the breakthrough production by Anne Teresa De Keersmaeker and is probably her most frequently performed choreography. Set to four repetitive compositions by the American minimalist Steve Reich, Fase comprises three duets and a solo. The movements are executed so perfectly that they almost appear mechanical, but they are nevertheless strangely moving.