For En Atendant, Anne Teresa De Keersmaeker took inspiration from the Ars Subtilior, a 14th century polyphonic musical form. Against the complexity and intangibility of life, she places the body. In 2011, the performance was selected for Het Theaterfestival. Now this gem returns to Brussels in the home of Rosas in Vorst.

With g r oo v e, her first solo creation, Soa Ratsifandrihana plays with her many heritages. The musical creation, the dance and the light coordinate, respond and unravel in an evolving space where everything is rhythm. G r oo v e is an invitation to listen and to feel the frugal and sensitive pleasure of dancing.

Why are there always more people in the middle of trains than at the ends? How do you determine the middle of the ocean? In In the Middle of Nowhere, Kristien De Proost and Fred Araujo focus on the paradox of the middle: the more they try to map out where the middle lies, the more infinite everything around it seems to be.

Social, ecological and economic crises force us to think about a radically different way of living. "The world is not about to end; we are already living with a different world," writes philosopher Bayo Akomolafe, speaker at the eighth edition of Ecopolis where artists, thinkers and doers break open our frames. This year, Ecopolis brings stories that depict an inclusive and sustainable future for this new world.

Welcome to a degenerated utopia, a ticket to time travel: AN(A)KARA is a sci-fi TV variety show hosted by Göksu Kunak focusing on the late modernism of Turkey in relation to the city of Ankara. The performance investigates the collapse and decay of an imaginary society with references to real-life absurdities.  

With his political solo The President's Jacket, Congolese dancer, choreographer and activist Lucas Katangila tackles the abuses in eastern Congo. In his choreography balances between supple, flowing movements and a very calculated, sometimes even restrained dance. Until the tension can no longer be held back and the piece erupts, spitting out the violence.

Romance is an invitation to discover the recognition, repulsion and humor that is created when you allow someone else to be your voice. In an intimate setting, Lígia Soares makes us reflect on how we think as individuals within a group by using ordinary sentences to create connections between herself and audience members.  

Let us imagine Brussels as an ocean full of interdependent cultural islands, connected by the same water and separated by different modes of communication, transmission and production. Sensitive cartography, eco-futuristic wanderings, visual arts, archive collections, spoken word and performances are all materials brought together to link the islands that make up the Brussels archipelago.

In seeking to disidentify the masculine, Gérald Kurdian met flamboyant individuals who to him seemingly were reinventing the political through the care of the intimate. In X!, he sketches a portrait of current militant cultures and a choral manifesto for a sensitive revolution.

What is your history as a theatre maker? Miet Warlop is the fourth director in the series Histoire(s) du Théâtre to take up the challenge of creating a work in which present, past and future meet each other in a surprising way. A group of performers enters the universe of Warlop for an enchanting ritual about farewell, life and death, hope and rebirth.

It is 2070, 100 years after the first government reform. Belgium no longer exists and Flanders has become independent after four years of war. In the midst of all this, the last butcher in town and his disabled son try to survive.