A man commits a terrorist attack in a museum of contemporary art, killing 49 children and a teacher. He waits on death row for seven years. A week before his execution, he convinces the police detective who was in charge of his case to join him for his last meal. What meaning do these two men hope to find in the death that they both desire, each in their own way?

Almost ten years after Zeitung (2008), Anne Teresa De Keersmaeker and Alain Franco used the building blocks of that production to make a new one: Zeitigung. Against the backdrop of a changing world and channeled through the bodies of eight young dancers, they updated their own work – aided by the young choreographer and dancer Louis Nam Le Van Ho. Zeitigung is returning to the Kaaitheater stage, where it premièred in 2017.

In the American Midwest of the 1880s, men would conceal illegal bottles of alcohol in their boots. The term ‘Bootlegging’ – meaning to smuggle (liquor) – was born. Now there is Bootlegged: an encounter between Boyzie Cekwana and Danya Hammoud. Two bodies, two stories and two histories collide to create a third, shared story.

A phrase is haunting the globe: We are the many. Some may find these words troubling, if not frightening, whereas others see it as most joyful. It probably depends on whether you think of yourself as belonging to the many or not. And what about phrases such as ‘we are the people’ or even ‘we are the 99 %’? In a three hour lecture performance, Dieter Lesage presents the central questions of his upcoming book Parliament and the Many. A Theory of Radical Democracy.

In their search for Arabic literature, tg STAN sought and found allies at the Nomadic Arts Centre Moussem, and among the theatremakers of Kloppend Hert, the company led by Haider Al Timimi. Eight performers go in search of answers to questions that are essential to them, in a cross-border space where multiple influences can blend into one whole. But it begins at the beginning: an open forum and conversation.