Work/Travail/Arbeid
What would it signify if one were to present choreography as an exhibition? This question is the starting point for Work/Arbeid/Travail. In response, Anne Teresa De Keersmaeker reimagines her piece Vortex Temporum for the radically different temporal, spatial, and perceptual conditions of a museum space.
concept & choreography Anne Teresa De Keersmaeker | initiated by wiels | curator Elena Filipovic | artistic consultant Ann Veronica Janssens | dramaturgy Bojana Cvejić | artistic assistant Femke Gyselinck | danced by Boštjan Antončič, Balázs Busa, Carlos Garbin, Marie Goudot, Cynthia Loemij, Sarah Ludi, Julien Monty, Michaël Pomero, Camille Prieux, Gabriel Schenker, Igor Shyshko, Denis Terrasse, Thomas Vantuycom, Samantha Van Wissen, Polina Akhmetzyanova, José Paulo dos Santos, Bryana Fritz, Mikko Hyvönen | musicians Ictus | music director Georges-Elie Octors, Diego Borrello | piano Jean-Luc Plouvier | flute Chryssi Dimitriou | clarinet Dirk Descheemaeker | violin Igor Semenoff | viola Jeroen Robbrecht | cello Geert De Bièvre | music Vortex Temporum, Gérard Grisey (1996) | costumes Anne-Catherine Kunz | production WIELS & Rosas | co-production (Brussels) De Munt/La Monnaie, BOZAR, Kaaitheater, Kunstenfestivaldesarts, Ictus | supported by BNP Paribas Fortis, Fondation BNP Paribas, and Rolex Institute
