Ten years after Lucia Smelt, Oscar van den Boogaard has written a sequel called Decemberhonger for Sara De Roo and Steven Watermeulen. The couple from Lucia Smelt is still together, but their relationship is no longer so supple. They have to look for new ways of dealing with each other. Decemberhonger is a striking rendering of a particular phase of life and a story of love and separation.

In Like Me More Like Me, formerly known by its working title H:H, Thomas Hauert collaborates with American performance artist Scott Heron, a familiar face from the New York avant-garde scene. Their encounter blithely rattles the opposition between uniqueness and “two-ness,” centre and fringe, body and mind, reason and feeling.

Matinee Kadee is the name of our fun children’s workshops on Sunday afternoons. While you enjoy the matinee performance, we organise a playful workshop for your children (from 4 to 12 years old); for the very youngest there is a cosy playroom with a babysitter.

For the past ten years the choreographer Jonathan Burrows and composer Matteo Fargion have been creating a furore with their deceptively simple but humorous, virtuoso duets where dance and music enter into an exciting relationship. Cheap Lecture is a rhythmic spoken performance set to music, a tirade about empty hands, audiences, time, repetition and dance and a few other things. The Cow Piece plays with text, movement and sounds, but also with objects.

In This is how you will disappear, the French theatre-maker Gisèle Vienne appears to be bringing the work of David Lynch, Alain Robbe-Grillet or Lewis Carroll to the stage. She is working on the boundary between dream and reality, and between appearance and reality. Nothing is what it seems, and everything is bursting with symbolism.

For the past ten years the choreographer Jonathan Burrows and composer Matteo Fargion have been creating a furore with their deceptively simple but humorous, virtuoso duets where dance and music enter into an exciting relationship. Counting to One Hundred completes their second trilogy and plays breathtakingly with rhythm and counterpoint.