In MCBTH, director Guy Cassiers continues his ‘anatomy of power’. Macbeth is one of Shakespeare’s darkest plays. The intense interaction of word, image and music reveals the cruel poetry of the play.
The city is in constant movement, as passers-by involuntarily create duets, trios, choruses,... A person standing still in the moving city appears to be the main character of a short crossroad scene. In this project, Ariane Loze looks for a new continuity of the city through a montage technique that falls back on choreographic principles. Can editing be dance? And how does editing move?
During Working Title Platform (WTP) the public can see the results of Workspacebrussels’ residence work. WTP provides an overview of the work of these young artists and gives an insight into their work and thought processes. At the Kaaistudio's: Albert Quesada, Sara Manente, Ariane Loze and Davis Freeman.
This will be a piece about the understanding of orchestral music, its repetitions, structures and the play with time. A group of dancers will guide the audience through a listening experience, and rhythmically conduct the sound with their actions. The rhythm of their abstract movement in synchrony or asynchrony with the music will create the narrative
This place starts from the idea of displacement as motor, vector, generator of physical movement, sense and values. In their new project Sara Manente and Marcos Simoes want to apply this notion to the proximity between things and things in a relational process. For example all the elements of an artistic creation: being objects, performers, words and audience.