The young choreographer and dancer Claire Croizé and twelve musicians of B’Rock stage a dialogue between dance, lighting and Bach’s music.

In En Atendant (medieval spelling) , Anne Teresa De Keersmaeker is taking a new step in her exploration of the combination of music and dance. This time her starting point is the Ars Subtilior: a form of polyphonic music from the 14th century that is based on dissonance and contrast. The world premiere was at the Avignon Festival.

The young Ecuadorian choreographer Fabián Barba composed a recital of nine short soli by Mary Wigman, one of the great innovators of modern dance in Europe. The soli date from 1929-1931.

Jan Decorte has been using dance and dancers in his theatre productions for many years (a.o. Charlotte Vanden Eynde and Anne Teresa De Keersmaeker). But the written word was always the chief source for every project. In Tanzung, however, he is for the first time starting out resolutely from movement.

In 1912 Debussy’s Prélude à l'Après-midi d’un faune was the backdrop for Vaslav Nijinsky’s legendary choreography. A hundred years later Raimund Hoghe produced his version of the subject, set to Debussy’s music and several lieder by Gustav Mahler.